|
|
|
|
|
|
|
|
Oil Paintings
Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists. |
|
|
Lorenzo Lippi
1606-65
Italian painter and poet. He was trained by Matteo Rosselli, with whom he worked for many years in close partnership. His collaboration was sometimes anonymous but is documented from 1622, when they decorated the ceiling of the Sala della Stufa (Florence, Pitti), to 1631-2, when they worked together on lunettes portraying St Francis Adoring the Child and St Catherine in Prison (Florence, S Gaetano). In 1630 Lippi was enrolled in the Accademia del Disegno but appears not to have had his own workshop until after 1634, although he worked independently before then. The earliest paintings attributable to him are, both in facial types and in the soft, rich folds of the drapery, close in style to the work of Rosselli. Examples include canvases of the Apostles James, John and Matthew, and Christ Blessing (all 1628; Vaglia, S Pietro), and the Virgin Handing the Child to St Francis (1629; Florence, S Salvatore di Camaldoli). In the 1630s Lippi painted decorative and theatrical compositions, mainly on literary and biblical themes, which remained indebted to Rosselli, for example Samson and Delilah (1632; Stockholm, Nmus.) and the Virgin in Glory with Saints (1634; Ronta, nr Barberino di Mugello, S Michele). Shortly afterwards he produced works |
|
|
|
|
|
|
|
|
|
|
|
Lorenzo Lippi
Self-Portrait
mk52
c.1650-60
Oil on canvas
49.5x36cm
Uffizi,Florence
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Lorenzo Lippi
The Triumph of David
mk65
Oil on canvas
90 1/2x133 5/16in
Pitti,Palatine Gallery
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Lorenzo Lippi
Lot and His Daughters
mk67
Oil on canvas
58 1/4x72 13/16in
Uffizi
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Lorenzo Lippi
The Holy Trinity
1665(1665)
Medium Oil on canvas
cyf
|
| |
|
|
|
|
|
|
|
|
|
|
|
1 | |
|
|
|
|
| Lorenzo Lippi
|
1606-65
Italian painter and poet. He was trained by Matteo Rosselli, with whom he worked for many years in close partnership. His collaboration was sometimes anonymous but is documented from 1622, when they decorated the ceiling of the Sala della Stufa (Florence, Pitti), to 1631-2, when they worked together on lunettes portraying St Francis Adoring the Child and St Catherine in Prison (Florence, S Gaetano). In 1630 Lippi was enrolled in the Accademia del Disegno but appears not to have had his own workshop until after 1634, although he worked independently before then. The earliest paintings attributable to him are, both in facial types and in the soft, rich folds of the drapery, close in style to the work of Rosselli. Examples include canvases of the Apostles James, John and Matthew, and Christ Blessing (all 1628; Vaglia, S Pietro), and the Virgin Handing the Child to St Francis (1629; Florence, S Salvatore di Camaldoli). In the 1630s Lippi painted decorative and theatrical compositions, mainly on literary and biblical themes, which remained indebted to Rosselli, for example Samson and Delilah (1632; Stockholm, Nmus.) and the Virgin in Glory with Saints (1634; Ronta, nr Barberino di Mugello, S Michele). Shortly afterwards he produced works
|
|
|
|
|
|
|
|
